And actually the album name came in order to explain “Shed” - I’m not a garden shed or whatever! That’s it. ![]() When I started with my label in 2003, this was the first sentence on my web page - “shedding the past” - but in that time, I thought I had to shed something. ![]() It’s a bit ridiculous I know, “Shed” the name - I know! It was more to explain the name, where it came from. It’s more to explain where the name Shed came from. ‘I have to explain that Shedding the Past is not like I wanted to shed something or to do something new or to leave something behind. That said, they’re one of the few groups mining this sound with any semblance of bravado, laying down tracks a more enterprising chap might even be able to dance to.’ - Tiny Mix Tapes If it feels like Metasplice are rambling at times, it’s because they are. Yet these two lay it on a lot thicker, “it” being a strange aural substance known as digi-spray that cropdusts the arrangements with a layer of spice that more minimalist dark-dance folk lack. The easy way to explain the appeal of Topographical Interference is to invoke kindred spirits like Demdike Stare and Ensemble Economique. Both were great on their own, but as a team, they tend to tag a little harder, dig a little deeper, and down a lot more space-dance donuts. ‘Metasplice is the tandem of that guy from hair_loss and Dave Smolen.
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